To the uninitiated, street photography (SP) might seem a hap hazard activity pursued by camera toting odd balls looking to sneak shots of random strangers. While there is certainly no prohibition on odd balls using cameras, the serious street photographer is likely up to something much more structured and possibly even quite profound.
In late June 2015 I travelled to India with my wife for a four week photography expedition. Months in the planning, our itinerary included New Delhi, Jaisalmer, Jaipur, Agra, Varanasi, Chennai, Pondicherry, Madurai, Alleppey and Mumbai.
Just 4 days into our trip we had to return to the UK (family emergency). Coming within hours of completing a 19 hour train journey from Delhi to Jaisalmer the timing was unfortunate. Nevertheless, refuelled with some excellent vegetarian curries, we headed for the only approved booking agent for rail tickets in Jaisalmer. We secured berths on the return train departing at 1am.Continue reading →
I’ve always found the most interesting photographers to be those who go out of their way to deliberately manipulate the inherent physical properties of the medium. Yes, I know, it’s an unfashionable modernist view that’s been sidelined by the art world’s promotion of post-modern conceptualists (a.k.a ‘artists working with photography’). However, I do think John Szarkowski was correct in expounding an “essentialist” view of photography (see). Not that I agree with what he saw as its essential properties. Continue reading →
The public’s appetite for Vivian Maier shows no signs of sating. Four books of images (and more on the way), two feature length films, international gallery exhibitions, and countless press articles since her archive was unearthed in a Chicago storage in 2007. Continue reading →