I’ve always found the most interesting photographers to be those who go out of their way to deliberately manipulate the inherent physical properties of the medium. Yes, I know, it’s an unfashionable modernist view that’s been sidelined by the art world’s promotion of post-modern conceptualists (a.k.a ‘artists working with photography’). However, I do think John Szarkowski was correct in expounding an “essentialist” view of photography (see). Not that I agree with what he saw as its essential properties. Continue reading
(This piece has its origins in a blog post by Steve Coleman of streetframe.co.uk – about the ‘rules’ of street photography – and developed through discussions with Steve and the other members of the ‘coffee shop collective’, namely, Matt Hart (http://www.matthewhartphotography.com), Jack Mayall (http://www.jackmayall.com/), and Stephen Hart (@HartMediastuff7).
The views below are my own and no blame should be attached to the above named. Continue reading