To the uninitiated, street photography (SP) might seem a hap hazard activity pursued by camera toting odd balls looking to sneak shots of random strangers. While there is certainly no prohibition on odd balls using cameras, the serious street photographer is likely up to something much more structured and possibly even quite profound.
This is the second instalment of a three part essay on photographic style. Part 1, addressed what I see as the three determinants of a photographer’s personal style. This second part looks at the dangers of imitation. Part 3 will look at what I call ‘necessary ugly’ style (by which I mean styles that gain effectiveness from eschewing artfulness).Continue reading →
This is the start of a three part essay exploring ‘personal photographic style’. It is not an analysis of what constitutes photographic style per se but more a reflection on how it is arrived at (if at all). Part 1 considers basic determinants of photographic style, Part 2 is about Imitative Style, and Part 3, considering what I call ‘necessary ugly style’ , will follow in the coming days.Continue reading →