“Scotland is more like Spain than Bengal is like the Punjab” Sir John Strachey, 1888
In his New York Times Magazine article ‘A Too-Perfect Picture’ (30/3/16), Teju Cole famously criticised the portrayal of India by the photographer Steve McCurry.
Based on a narrow reading of a minority of images contained in the photographer’s retrospective book India, Cole claims McCurry perpetuates an obsolete visual narrative and has a hackneyed style. Continue reading
Much of my photography is done while travelling. However, even a cursory glance at my photographs confirms they are a long way from what might be thought of as conventional ‘travel’ photography. That is to say, colourful picturesque images of landmarks and ‘views’.
Portraiture is the most duplicitous of all photographic genres. Not only is the deceit calculated, it is known to all parties in advance.
This situation arises because there are four people in every portrait. There is the person the ‘subject’ tries to project, the person they really are, the person the photographer is trying to present and, finally, the person the viewer thinks they are seeing. While they may not know each other personally, each is aware of the others’ existence.